Résumé

Cirriculum Vitae

EDUCATION

Vermont College of Norwich University, Montpelier,
Vermont, MFA in Visual Art – 1998-2000

Florida Atlantic University, Boca Raton, Florida,
BFA in Photography – 1990-93

Pacific Fashion Institute, San Francisco, California
– 1973-74

California College of Arts and Crafts, Oakland, California
– 1971-72

Art Center College of Design, Pasadena, California
– 1970

Los Angeles Harbor College, Wilmington, California
– 1967-69

Oakwood College, Huntsville, Alabama – 1966-67

Professional Teaching Experience

2002-present – Florida Atlantic University, Dept.
of Arts and Philosophy, Main Campus, Boca Raton, FL

2000-2002 – Broward Community College, Dept. of
Arts & Philosophy, Adams Campus, Davie, FL – Adjunct Professor

1995-2001 – Miami-Dade Community College, Dept.
of Arts and Humanities, Wolfson Campus, Miami, FL – Adjunct Professor

Professional art museum/gallery experience

2001 – Palm Beach Institute of Contemporary Art,
Lake Worth, FL – freelance preparator

1998-2000 – A+ Resources Gallery, Miami, FL – freelance
preparator

1998-2000 – Jonathan Novak Contemporary Art, Los
Angeles, CA -  freelance preparator

1996 – Skot Foreman Fine Art, Ltd., Dania, FL –
freelance preparator

1994-96 – Museum of Contemporary Art, North Miami,
FL – preparatory, interim facilities manager

1994-96 – Peter Fetterman Gallery, Santa Monica,
CA – freelance preparator

EXHIBITION RECORD

Solo Exhibitions (not currently up-to-date due to computer crash)

2002 – “Recent Works”, Cultural Resource
Center Gallery, Stephen P. Clark Center, 111 NW 1st St., Miami, FL

2000 – “I Anoint My Flesh: MFA Thesis Exhibition,”
Vermont college of Norwich University, Montpelier, VT

“Vulture Project & Performance,” St. Lucie Locks, St. Lucie River,
Martin Co., FL

“Feature Artist,” South Florida Arts and Culture, http://www.digitalcity.com

1999 – “Vulture Project & Performance,” Myakka
River State Park, Sarasota, FL

“Seraphic Light,” Vermont College of Norwich University, campus meadow,
Montpelier, VT

1998 – “Mangrove-Mud-Mystery,” Matheson Hammock
Park, Coral Gables, FL

1997 – “Cotton & Iron: Another View,” Century21
Galleries, North Miami, FL

1996 – “Cotton & Iron,” Interamerican Gallery,
Miami-Dade Community College, Miami, FL

1995 – “Condition of Unfocus,” University of Arkansas,
Little Rock, AR

1994 – “Water is Both the Barrier and the Passageway,”
Center for the Arts, Stuart, FL

1972 – “Images of Life, Death, and the Unknown,”
The New Gallery, San Francisco, CA

1970 – “Solo Exhibition,” The Studio, San Fernando
Valley, Los Angeles, CA

GROUP EXHIBITIONS

2004 “Nepotism” Museum of Art Ft. Lauderdale,
FL

2003 “DRAWING CONCLUSIONS” [Art Miami],
Buena Vista Building; 180 NE 39th Street 2nd Floor, Suite #218; Miami
Design District Miami, FL

“The Diaspora Speaks: African American Artists from the Permanent
Collection,” February 1 – March 30, 2003

South Dade Regional Library, Miami-Dade County, 10750 SW 211 Street

2002 “As Art: As Philosophy”, Broward
Community College Fine Arts Gallery, Davie, FL

“Houses
of the Spirit”
, Miami-Dade Public Library Auditorium,
101 W. Flagler St., Miami, FL

“Adjunct Faculty Exhibition”, Broward Community College
Fine Art Gallery Broward Community College, 5401 SW Davie Rd., Davie,
FL

“A is for Art”, Miami-Dade Public Library Auditorium, 101
W. Flagler St., Miami, FL

“Mirror,
Mirror”
, Bernice Steinbaum Gallery, 3550 N. Miami
Av., Miami, FL

“NO-Home Show”, Home of Eugenia Vargas, 890 NE 90th Street,
Miami Shores, FL

“NO-Show!”, Fredric Snitzer Gallery, 3078 SW 38 Court,
Miami, FL.

2001 “Seven Days – Seven Days: Kwanzaa,” African
Heritage Cultural Center, Miami, FL

“Hurricane Show,” New Gallery, Univ. of Miami, Coral Gables, FL

“Summer Tossed Salad,” Kevin Bruk Gallery, Miami, FL

“New Space: New Audience,” Columbia College, Chicago, IL,
online exhibition 2001-present

“Vulture Vida,” Miami Courthouse, Miami, FL

“Adjunct Faculty Exhibition,” Broward Community College, Davie, FL

“Photographic Works from the Permanent Collection,” Center for the
Arts, Vero Beach, FL

1999 – “All God’s Children Got Shoes,” Miami-Dade
Public Library, Main Library, Miami, FL

1998 – “ Assembly Line,” Dorsch Gallery, Miami,
FL

“African-American Art in South Florida,” Gallery North, Miami-Dade
Community College, Miami, FL

1997 – “3 Person Group Show,” Galerie Douyon, Miami,
FL

“Florida Provenance: Mixed Media Works from the Permanent Collection,”
Center for the Arts, Vero Beach, FL

1996 – “Crossings,” Gallery Antigua, Miami, FL

“Ethereal Images: Photographic Installations,” Southeast Museum of
Photography, Daytona Beach Community College, Daytona, FL

1995 – “The Black Box Project,” Ground Level Gallery
of Art Center South Florida, Miami Beach, FL

“Sculpture in the Landscape,” University of Miami, Coral Gables,
FL

1994 – “Where the Water Tastes Like Cherry Wine,”
Polk Museum of Art, Lakeland FL

“Chiaroscuro: 1994 Montgomery Biennial,” Montgomery Museum of Art,
Montgomery, AL

“The Body Beautiful,” Lower Columbia College, Longview, WA

“Miami DADA,” Bianca Lanza Gallery, Miami Beach, FL

“Exodus,” Ground Level Gallery of Art Center South Florida, Miami
Beach, FL

1993 – “Collage & Assemblage,” Center for the
Arts, Vero Beach, FL

“Southern Roots: South Florida Invitational,” Museum of Art, Ft.
Lauderdale, FL

“Miami/Beach Exchange,” Ground Level Gallery of Art Center South
Florida, Miami Beach, FL

“A Caribbean Affair: Watercolor and Photography,” The Zora Neale
Hurston National Museum of Fine Arts, Eatonville, FL

“African American Artists,” City Hall Gallery, Orlando, FL

1992 – “Next Generation: Southern Black Aesthetic,”
(tour), Contemporary Arts Center, New Orleans, LA

“Next Generation: Southern Black Aesthetic,” (tour), Orlando Museum
of Art, Orlando, FL

“Next Generation: Southern Black Aesthetic,” (tour), Contemporary
Arts Center, Cincinnati, OH

1991 – “Next Generation: Southern Black Aesthetic,”
(tour), Harn Museum of Art, University of Florida, Gainesville, FL

“Next Generation: Southern Black Aesthetic,” (tour), Hunter Museum
of Art, Chattanooga, TN

“Interior Motives, Interior Motifs,” Lower Columbia College, Longview,
WA

“Impressions: From Afrika to Amerika,” Gusman Center for the Performing
Arts, Miami, FL

“Martin County Black Heritage Association Invitational,” Martin County
Cultural Courthouse, Stuart, FL

1990 – “Next Generation: Southern Black Aesthetic,”
(tour), Southeastern Center for Contemporary Art, Winston-Salem, NC

“Ten Years of Kuumba: 1980-1990,” North Gallery, Miami-Dade Community
College, Miami, FL

“Miami: Thriving in change (1940-1990),” North Dade Regional Library,
North Beach Miami, FL

“Photography Today,” Peter Drew Gallery, Boca Raton, FL

“Three Black Artists,” Northwood University, W. Palm Beach, FL

1989 – “Sea Oaks Invitational,” Sea Oaks Resort,
Vero Beach, FL

“Florida Competitive,” Center for the Arts, Vero Beach, FL

“38th All Florida Juried Competition,” Boca Museum of Art, Boca Raton,
FL

“Zack-Schuster Gallery Invitational,” Zack-Schuster Gallery, Aventura,
FL

“Boke N’Deye,” Bakehouse Art Complex Main Gallery, Miami, FL

1988 – “Kuumba Artists Showcase,” Model City Cultural
Center, Miami, FL

“Vero Beach Art Club Invitational,” Center for the Arts, Vero Beach,
FL

1987 – “Ancestral Projections,” North Dade Regional
Library, North Miami Beach, FL

“Native Son,” Model City Cultural Center, Miami, FL

1968 – “Onajide Shabaka – Ray Bravo,” Watts Towers
Art Center Gallery, Los Angeles, CA

COLLECTIONS

Center for the Arts, Vero Beach, FL

Shoreline School District, Seattle, WA

Edmonds Community College, Lynnwood, WA

Sequim School District, Sequim, WA

AWARDS/FELLOWSHIPS

1994 – New Forms Florida, Individual Artist Grant

1994 – Individual Artist Fellowship, Florida Department
of Cultural Affairs.

1989 – Purchase Award, mixed-media photography,
“Annual Florida Competitive, Center for the Arts, Vero Beach, FL

1988 – Florida Humanities Council (symposium) 1987
– Merit Award, watercolor, Sunstreet Festival, Miami, FL

1987 – Judges Recognition, photography, Sunstreet
Festival, Miami, FL

1987 – Purchase Award, watercolor, “Native Son”
exhibition, Model City Cultural Center, Miami, FL

BIBLIOGRAPHY

Works in Catalogues

“Face of the Gods: Art and Altars of Africa and African America,”
Museum for African Art, New York, NY.

“Conversations – Interamerican Art Gallery,” Miami-Dade Community
College Interamerican Art Gallery, Miami-Dade Community College, Miami,
FL

“Ethereal Images: Photographic Installations,” Southeast Museum of
Photography, Daytona Beach Community College, Daytona, FL

“Crossings,” Gallery Antigua, Miami, FL

“Sculpture in the Landscape,” University of Miami campus, University
of Miami, Coral Gables, FL

“Where the Water Tastes Like Cherry Wine,” Polk Museum of Art, Lakeland,
FL

“Chiaroscuro: 1994 Montgomery Biennial,” Montgomery Museum of Fine
Art, Montgomery, AL

“Southern Roots: 3rd South Florida Invitational,” Museum of Art,
Ft. Lauderdale, FL

“Next Generation: Southern Black Aesthetic,” Southeastern Center
for Contemporary Art, Winston-Salem, NC

“Miami/Beach Exchange,” Art Center South Florida, Miami Beach, FL

“Florida Competitive,” Center for the Arts, Vero Beach, FL

REVIEWS/ARTICLES

Turner, Elisa, “Exhibit captures small-town feel of African-American
like,” The Miami Herald, Miami, FL, 12 March, 1998

Cantor, Judy, “Cotton & Iron: Another View,” New Times, Miami,
FL, 5 March, 1997

Turner, Elisa, “Cotton & Iron – redux,” The Miami Herald, Miami,
FL, 4 April, 1997

Morgan, Ann Barclay, “Ethereal Images,” Sculpture, July/August 1996

Pierce, Susan, “UALR’s 3 Galleries,” Arkansas Democrat Gazette, Little
Rock, AR, 29 October, 1995

Dean, Kevin, and Kipling, Kay, “The American Experience: Onajide
Shabaka,” The Longboat Observer, Sarasota, FL 7 January, 1993

Tagliarini, Lynda, “Artist advocates multiculturalism,” Fort Pierce
Tribune, Ft. Pierce, FL, 21 May, 1993

Kangas, Matthew, “Common Ground Separates Choices (Next Generation),”
Art in America, New York, NY, Vol. 80, No.3, March, 1992

Feature Article, The News Tribune, Fri., 24 May, 1991

Patterson, Tom, “Focus on New African American Art,” The Arts Journal,
June, 1990, Vol. 15, No.8, Winston-Salem, NC

McQuaid, Kathy, “Black Aesthetic is emerging,” Journal Messenger,
Manassas, VA, 20 November, 1990

Butler, Jeri, “Rejoicing in one’s heritage,” The Stuart News, Stuart,
FL, 21 February, 1989

Pulliam, Nisha, “Fort Pierce resident shows off works at Kuumba Artists
Association Exhibition,” The Palm Beach Post, W. Palm Beach, FL, 11
February, 1989

Pulliam, Nisha, “Boca Museum Juried Exhibition,” June, 1989

INTERVIEWS

“Conversations – Interamerican Art Gallery,” Miami-Dade Community
College Interamerican Art Gallery, Miami-Dade Community College, Miami,
FL, 1996

“TCTV – Vero Beach Live,” Vero Beach, FL, May 1989

“TCTV – Vero Beach Live,” Vero Beach, FL, July 1989

Wilder, Anne, “His Dream,” Fort Pierce Tribune, Ft. Pierce, FL 1977

Wilder, Anne, “African Heritage,” Fort Pierce Tribune, Ft. Pierce,
FL, 31 July, 1977

Bartlett, John, “African Import Shop,” The Palm Beach Post, St. Lucie
Co. edition, 23 February, 1977

VISITING ARTIST LECTURES, PERFORMANCES

2001 – Artist-in-residence, Florida Atlantic University,
Boca Raton, FL

1996 – Slide Lecture, Black and White Men Together,
Ft. Lauderdale, FL

1995 – Slide Lecture, University of Arkansas, Little
Rock, Little Rock, AR

1990 – “The Validity of African American Art,” slide
lecture, Norton Museum of Art, W. Palm Beach, FL

1989 – “Tradition and Change in the Next Decade,”
lecture, Cultural Arts Conference, Ft. Pierce, FL

1988 – Artist-in-residence, Indian River County
School District, Vero Beach, FL

1998 – Guest Lecturer, College Reach-Out Program,
Indian River Community College, Ft. Pierce, FL

Authored publications

“The Structure of Puryear,” www.miamiartexchange.com, 16 July, 2001

“Homage to Denise Andrews,” www.miamiartexchange.com, 26 April, 2001

“Equal but Separate Exhibition,” www.miamiartexchange.com, 3 November,
2000

“Medicines of a Reconstructed Past: African American Burial Art in
Florida,” Tomb With a View, Lyndhurst, OH, Spring 1997

“Interview with Gary Moore,” Art Papers, Vol. 20, Jan/Feb 1996, pp.
10-13

“View From Beyond the Scared Garden: Interview with Edouard Duval-Carrié,”
Art Papers, Vol. 20, Jul/Aug 1996, pp. 14-17

NTU ArtsNewsletter, Editor, Publisher, 1989-1991

“Glassman: Dale Chihuly,” Sarasota Arts Review, Vol. 5 Issue 3, December,
1994, pp. 10-14

Freelance Writer, The Florida Mirror, Palm Beach County, FL 1989

“Afrikan Roots,” weekly columnist, The Chronicle, Ft. Pierce, FL,
August-October, 1997

Conferences Organized

Cultural Arts Conference, Director & Moderator, 1990 Leadership
Conference, NTU ArtsNewsletter, Ft. Pierce, FL , 30 November, 1990

Cultural Arts Conference, Director, Afro-American Cultural Exposition
for the Arts, Ft. Pierce, FL, 1989

“Spirit of a People,” Co-Director and Project Consultant, symposium
sponsored by Florida Humanities Council and Center for the Arts, Vero
Beach, FL, 1988

Professional Community Service Organizations

2002 – Managing Editor, www.miamiartexchange.com

1998 – African Diaspora Fine Arts Committee, Education
Committee, Miami, FL

1995 – Art Center South Florida, Exhibition Committee,
Miami Beach, FL

1988-1994 – Kuumba Artists Association, Board of
Directors, Miami, FL

1993 – South Carolina Arts Commission, FYI 1994-95,
Juror, Individual Artist Fellowship

1990 – St. Lucie County Cultural Affairs Council,
Reorganization Sub-committee on Mission Statement/Bylaws, Ft. Pierce,
FL

1989 – Treasure Coast Fine Arts Festival, St. Lucie
County Department of Parks and Recreation, Art Juror, Ft. Pierce,
FL

1988 – Martin County Black Heritage Association,
Board of Directors, Stuart, FL

1988 – “Black Gold: The Wealth of African and African
American Culture,” Steering Committee, sponsored by Florida Humanities
Council and St. Lucie County Department of Parks and Recreation, Ft.
Pierce, FL

Miscellaneous

Web Design

www.art3st.com

www.davidrohn.tv

www.edouard-duval-carrie.com

www.IFAinc.org

www.artlab33.org

Kevin Bruk Gallery

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About

Visual art and writing of African American artist Onajídé Shabaka featuring photography, installations, drawings, and performance, non-fiction cultural writing, with a focus on art originating out of the African Atlantic experience.

Onajídé Shabaka unconditionally owns copyrights and images in this site unless otherwise designated. Any similarity between actual artworks and those represented on this website including, texts or editorials accompanying various individual art works or projects is purely coincidental.

Prints & Multiples for purchase

© 1996-2010 All Rights Reserved Onajídé Shabaka

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