Art Thirst Logo
 
 

 

 

 

 

 

w3c org css validation
w3c org xhtml valication

    

NEW BOOKS

book review buy now "Art History and Its Institutions: Foundations of a Discipline Art History and Its Institutions" focuses on the institutional discourses that shaped and continue to shape the field from its foundation in the nineteenth century. From museums and universities to law courts, labor organizations and photography studios, contributors examine a range of institutions, considering their impact on movements such as modernism, their role in conveying or denying legitimacy, their impact of defining the parameters of the discipline and, the process of canon formation. ... more more


African Renaissance: Old Forms, New Images in Yoruba Art, by Moyo Okediji buy now! "African Renaissance: Old Forms, New Images in Yoruba Art"
by Moyo Okediji

book description Book Description: African Renaissance: Old Forms, New Images in Yoruba Art describes, analyzes, and interprets the historical and cultural contexts of an African art renaissance using the twentieth-and twenty-first century transformation of ancient Yoruba artistic heritage. Juxtaposing ancient and contemporary Yoruba art, Okediji defines this art history through the lens of colonialism, an experience that served to both destroy ancient art traditions and revive Yoruba art in the twentieth century.

With vivid reproductions of paintings, prints, and drawings, Okediji describes how Yoruba art has replenished and redefined itself. Okediji groups the text into several broadly overlapping periods that intricately detail the journey of Yoruba art and artists: first through oppression by European colonialism, then the attainment of Nigeria’s independence and the new nation’s subsequent military coup, and ending with present-day native Yoruban artists fleeing their homeland.

Based upon extensive interviews with the artists and critical readings of the existing literature on contemporary Yoruba art, African Renaissance: Old Forms, New Images in Yoruba Art will appeal to the art historian and art collector and serve as a wonderful introduction to the canon of Yoruba art for the general reader.

Adobe Acrobat 5 Master Classbuy now! "Adobe Acrobat 5 Master Class"
by Pattie Belle Hastings, Bjorn Akelsen, Sandee Cohen

book review Did you know that you could use Adobe Acrobat to create slideshows and presentations? Many people don't realize that Acrobat PDF files can be used for more than just sharing cross-platform, visually accurate copies of their documents with colleagues and customers.

This gorgeous, full-color book – 384 pages in length – uses case studies to demonstrate Acrobat's myriad uses as a sophisticated, multi-purpose, interactive tool.

From the very first moment you pick it up and open it, you know you are dealing with the best of graphic design. The pages are laid out with great taste. All the elements work together on the page. You can read the body copy with no pictures jumping up in the way of your thoughts. Then you can look at the bottom of the pages to follow the step by step instruction. Mr. Akselsen and Ms. Hastings deserve an award for their ground-breaking design. [Pattie Belle Hastings is one of my grad school classmates who has a great design sense. This book is not to be missed. See her Cyborg Mommy project here.]

Web ReDesign by Kelly Goto & Emily Ccotlerbuy now! "Photography's Antiquarian Avant-Garde: The New Wave in Old Processes," by Lyle Rexer

book review Book review: By 1995 and the apparent triumph of anti-photographic (or photocritical) art, camera artists with a wide variety of attitudes and motives were deliberately re-engaging the physical facts of photography, that is, its materials and processes, and turning to the history of photography for metaphors, technical insight, and visual inspiration. ... full text article and images [+]

Web ReDesign by Kelly Goto & Emily Ccotlerbuy now! "Wilfredo Lam & His Contemporaries 1938-1952"
by: Lowery Stokes Sims

book review Book review: The one-man Crisis in Modernism: In the early 1950s, the French philosopher Jean-Paul Sartre noted that having "accepted primitive art into itself," European culture was being "colonized in reverse,"... full text article [+]

Ethnomathematicsbut now! Ethnomathematics: Challenging Eurocentrism in Mathematics Education (Suny Series, Reform in Mathematics Education)

Card catalog description: This collection brings together classic, previously-published articles and new research to present the emerging field of ethnomathematics from a critical perspective, challenging particular ways in which Eurocentrism permeates mathematics education. The contributors identify several of the field's.

Africa Countsbut now! Africa Counts: Number and Pattern in African Culture

book description Book Description: This fascinating study of mathematical thinking among Saharan African peoples covers counting in words and in gestures; measuring time, distance, weight, and other quantities; number systems; patterns in music, poetry, art, and architecture; number magic and taboos, and much more.

The 'Hood Comes First : Race, Space, and Place in Rap and Hip-Hopbut now! The 'Hood Comes First : Race, Space, and Place in Rap and Hip-Hop (Music/Culture) by Murray Forman (Wesleyan University Press, distributed by Univ. Press of New England; 387 pages; $70 hardcover, $24.95 paperback).

book description Explores spatial aspects of rap and hip-hop culture, from the idea of the 'hood to the global marketing of the music.

The New Terrorismbuybutton The New Terrorism: Fanaticism and the Arms of Mass Destruction
by Walter Laqueur

editorial review
Editorial Review: The use of violence to achieve political goals stretches all the way back to biblical times, and Walter Laqueur outlines its long practice in these pages. Yet his main concern is with the 21st-century threat of "megaterrorism": "What we know about past ages of barbarism is frightening enough," he writes. "The consequences of aggressive madness in the age of high technology and the era of weapons of mass destruction may well be beyond our imagination." Along the way, he offers a fascinating sociology of terrorism; its practitioners, for instance, tend to come from the educated middle classes (although this is far from a hard-and-fast rule). Also, terrorists rarely believe their actions will allow them to seize political power. Instead, they aim to provoke specific responses from their targets, such as lighting an international conflict. Although it is hardly a how-to book, The New Terrorism describes what it takes for terrorism to succeed--Laqueur's list of essentials includes careful planning, an ability to improvise, small units of operation, the anonymity of large urban areas, and ready sources of money. The book is full of rich observations, and there probably isn't a more knowledgeable source on the subject than Laqueur, who has written several books on European and Middle Eastern history and military analysis. His mild pessimism is troubling, but perhaps warranted. Terrorism is about to become even more terrible. -- John J. Miller

The Los Angeles Times Book Review, Anthony Day: The New Terrorism would serve admirably as a first-rate textbook on the subject.

Miwon Kwonbuybutton One Place After Another: Site-Specific Art and Locational Identity

by Miwon Kwon [Assistant Prof. of Art Hist. UCLA & Graduate Faculty at the Vermont College of the Union Institute]

book description Book Description: Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces.

One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renée Green, Suzanne Lacy, Iñigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.

One Place After Another: Notes on Site Specificity
Article in the journal "October," Vol. 80 / Spring 1997

top of page

 

    

Award Winning Authors

tm-auth-Zora-43 tm-auth-Hughes-54 tm-auth-King-59

tm-auth-Haley-66 tm-auth-Brooks-69 tm-auth-Soyinka-83

tm-auth-Morrison-88 tm-auth-Gates tm-auth-Ellison-92

tm-auth-Appiah-93 tm-auth-Parks-98 tm-auth-Gaines-2000

tm-auth-Said-2000 tm-auth-Clifton-2001